Last Saturday, I got together with my friends. We decided to play board games at a local coffee shop. I brought The Catholic Card Game. The creators took the mechanics of Apple to Apples or Cards against Humanity and made it Catholic. They made it Catholic by having all the cards have some Christian or Catholic theme to it. As a player, you can make some pretty fun inside jokes. One of my favorite cards played was, “in the name of Jesus, I command you to stop liking Christian films.”
I have been very critical of Christian films. My friend knew this and used it to score a point from me. The more I understand about film, art, and beauty, the more I’ve come to devaluing Christian films. I am discouraged by the current history of Christian films. The Bible offers the blueprint for telling a compelling story.
I first became aware of Christian film criticism through the Youtube channel: [Say Goodnight Kevin}(https://youtu.be/Bw3Ll_1l7Io). Kevin provides a critical analysis of Christian films. Most of what he says speaks to my heart. The God’s Not Dead review is no exception. Kevin states that the problem in the God’s not Dead review. The filmmakers are more interested in selling a message than telling a story. The characters become one-sided in order to serve the message.
The Bible shows us brokenness and weakness, morally gray people, God’s power, and trials.
1. Brokenness and weakness
In Christian films, the Christian character is usually not broken. Yet God uses broken people all the time. Let’s take Moses for example. Moses was chosen by God to lead the people out of Egypt into the promised land. Moses objected by saying that he had a stutter and could not speak. St Paul talks about a thorn in his side that would not go away. St Paul describes how God’s strength is made perfect in St. Paul’s weakness. Christian films would do well to show God using what society has deemed as weak or broken.
2. Morally gray people
Returning to Moses, he was also a morally gray individual. He murdered an Egyptian guard for attacking a Jewish slave. Likewise, David was a man after God’s own heart, but he committed adultery. Very rarely if ever do we see Christian films display nuance. They never have the Christian character perform a morally questionable action. They also fail to show growth over time.
3. Show trials after becoming a Christian
The book of Acts describes how the apostles were arrested, beaten, and kill for their faith. Yet many more became Christian partially due to their witness. It would be beneficial for Christian films to show 1. What caused people to convert, and 2. Them choosing to stay in the face of trials.
Dear reader, I apologize for the late post, but I was gone all weekend. Also, this blog post contains spoilers for the Dragon Prince and Voltron. If you do not want them spoiled, please do not read.
Relational ministry is one of the key components of youth ministry. In relational ministry, one seeks to form a relationship with the youth. This relationship usually begins through discussion of tv shows, movies, or music. As someone, who aspires to work with youth, I find that it is important to know what they are watching. While working with the youth this year, they introduced me to The Dragon Prince and Voltron. Both shows have been heavily criticized for their handling of LGBT characters. In my own personal opinion, a diversity of people in any show, but especially a kids show, is welcomed. I am unique in that 1. I don’t expect media to have Christian values, and 2. I don’t get upset when a show incorporates new world views to consider. I do however get upset when the world views are not fully depicted or have no effect on the story.
I realize that this topic can be divisive. When it comes to media representation I tend to take a midline stance on such issues. Yet I fear that carless representation will continue and ruin otherwise good stories. I will discuss the dragon prince characters, Annika and Neha, and Voltron’s character Shiro. Both are not a good depiction of LGBT characterization.
The Dragon Prince
The Dragon Prince is made by some of the same people who worked on Avatar the last Airbender. In a nutshell, The Dragon Prince is a fantasy show about 3 people. They discover a dragon prince egg and go on a quest to return it. Season 2 came out on February 15th. It was highly anticipated and received good reviews. It has been described as Game of Thrones for kids and teenagers. The comparison is not inaccurate. The show covers dragons, magic and political intrigue. Most of the characters are morally grey and have various motivations. It even quotes philosophical ideas such as The Veil of Ignorance. Thus I am sad that such a smartly written show must cater to LGBT diversity PR. The dragon prince avoids some of the mistakes of Voltron. I also have problems with the depiction of the LGBT as normal and without struggles.
According to the fandom Wiki, those are the names of the two queen mothers. They first appear in flashback during the episode Break The Seal. In this episode, Viren is trying to start a war but needs the permission of the surrounding land. In his meeting with the nearby kingdoms, the viewer meets Aanya. Viren tells her the story of her parent’s death in order to persuade her to aid in the war. In the flashback of the story, we see Aanya has two mothers. This is problematic.
Problems with representation
My problem is not that two lesbian queens exist. My problem is that they did not develop the concept far enough. As an adult viewer, I have a basic understanding of biology. I know that two mothers cannot give birth to a child with equal genetics. The child does have genetics from a male sperm donor. Perhaps Aanya is adopted rather than biologically related. If this is the case, then how can Aanya have a legitimate claim to the throne. The writers chose to make the queens have a lesbian relationship. By this choice, the show takes on more questions than it wishes to answer. Furthermore, the writers killed off the lesbian queens in a past battle. This makes the reputation feel forced. The writers need to provide answers. If not, they shouldn’t show a lesbian relationship with a child. Otherwise, it comes across as an attempt to convince kids that two women can have a kid normally. The reality is that it is not normal and always involves a third party.
If guardians of the galaxy, transformers and power rangers had a baby you would have this show. It centers around 4 main characters. While studying at a military space academy, they discover the blue lion. It is one of the lions that form Voltron. Voltron is the protector of the universe. The 4 Characters are Lance, Pidge, Hunk, and Keith. All 4 people find the lions and throughout the series save cultures from the Galra, an evil alien race. The 4 teenagers end up being led by Shiro, who is a military space officer.
The show depicts Shiro as a leader and space explorer, who is happiest while flying. He endures a lot of hardships including PTSD like symptoms. Despite this adversity, he becomes a hero. The only hint that Shiro is a gay character occurs in season 7 episode 1. The main story of this episode centers on Keith and Shiro’s relationship. Shiro is recruiting young teenagers to join the space academy. During recruitment, Shiro discovers Keith’s natural ability to fly. Shiro becomes a mentor and father-like figure to Keith. In this episode, the viewer also discovers that Shiro has the early onset of a muscular disorder. Thus he is being pressured to retire. About 17 minutes into the episode, the viewers get a one-minute interaction. with a fellow cadet Adam, who warns Shiro not to go on the mission. Adam asks, “how important am I to you?” Adam says, “if you go, don’t expect me to be back.” It could be taken as a concerned friend or a romantic partner.
Towards the end of the series, we see Shiro visibly upset over Adam’s death. In the final minute of the show, we see Shiro with another man. They are getting married. The show ends with them kissing.
Problems with representation
This depiction is problematic because of no development. This depiction implies that the only way for Shiro to be happy is to be openly gay and married. Yet Shiro’s priority was not marriage but flying. Shiro never struggled with his gayness and that is unrealistic. Some argue persuasively that it is Liberal PR move.
What I want going forward
I want a story first narrative. Writers should ask, “does making a person LGBT effect the story in a meaning full way?” I also want writers to not shy away from depicting openly gay characters because they do exist in life. Similarly, writers should not be afraid to depict same-sex attraction people, who choose to find their identity in other areas. Shiro could have been the latter. The media would rather try to win brownie points for being progressive.